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A side-by-side comparison photo of the Fujifilm X-T30 II and X-T50

Review: Fujifilm X-T50 APS-C Mirrorless Camera

Published 28 July 2025 by MPB

The Fujifilm X-T50 features a 40-megapixel sensor, 6.2K video at 30fps with F-Log2 and 7 stops of in-body image stabilisation (IBIS). Fujifilm has also added the Reala Ace film simulation, which is inspired by the legendary Fujicolor Superia Reala Ace 100 colour negative film.

The Fujifilm X-T50 has been causing a lot of buzz as a midrange addition to the Fujifilm lineup. Using the same X-Trans 5 HR CMOS sensor and X-Processor 5 as the Fujifilm X-T5 and Fujifilm X-H2, the X-T50 packs plenty of power in a much smaller body.

Goldfinch on a wooden fence, by Amy Moore with a Fujifilm X-T50

Amy Moore | Fujifilm X-T50 | XF 100-400mm f/4.5-5.6 R LM OIS WR | 400mm | 1/800 | f/5.6 | ISO 500

In May 2024, ahead of its release, we got our hands on the Fujifilm X-T50.

X-Trans CMOS 5 HR Sensor

The biggest change from its predecessor—the Fujifilm X-T30 II—is the 40-megapixel, X-Trans 5 HR sensor, which is the beating heart of the X-T50. The sensor makes all those features possible. For many Fujifilm photographers, it’s a worthwhile upgrade from the older X-Trans 4.

A pink-purple sunset by Amy Moore with a Fujifilm X-T50

Amy Moore | Fujifilm X-T50 | XF 16-50mm f/2.8-4.8 R LM WR | 16mm | 1/160 | f/2.8 | ISO 640

The camera’s handling of gradients—like this pink-purple sunset—is impressive for an APS-C sensor.

Pink blossoms blooming with lush greenery in the background by Amy Moore with a Fujifilm X-T50

Amy Moore | Fujifilm X-T50 | XF 16-50mm f/2.8-4.8 R LM WR | 50mm | 1/60 | f/5 | ISO 500

The X-T50’s colour rendition is particularly pleasing, with all these vibrant pink and green hues bursting out of the frame.

A close-up photo of verdant leaves with soft, out-of-focus background by Amy Moore with a Fujifilm X-T50

Amy Moore | Fujifilm X-T50 | XF 16-50mm f/2.8-4.8 R LM WR | 50mm | 1/400 | f/4.8 | ISO 500

Body and Design

The Fujifilm X-T50 has a few noteworthy design updates. The most notable change is the film simulation mode dial, which lets you quickly change film simulation on the fly.

A close-up of the Fujifilm X-T50, with its flash exposed, as a pair of hands adjusts the film simulation dial

The Fujifilm X-T50’s film simulation dial

We were particularly impressed with the black-and-white film simulations, capturing this rugged photo of a Rhino at Port Lympne Safari Park in Kent, UK.

A black-and-white photo of a Rhino by Amy Moore with a Fujifilm X-T50

Amy Moore | Fujifilm X-T50 | XF 100-400mm f/4.5-5.6 R LM OIS WR | 400mm | 1/640 | f/5.6 | ISO 1000

Fujifilm has finally upgraded to a 3.5mm jack—no more fiddly adapters! Due to the added IBIS mechanism, the X-T50 (438g) is slightly bigger and heavier than the X-T30 II (378g), but Fujifilm has made every gram count.

Impressive Video

For a small and clearly travel-friendly camera, the X-T50 packs some pretty good video specs. At max settings, it can shoot 6.2K 30p, with 4:2:2 10-bit internal and F-log2 for 13 stops of dynamic range.

A photo of the Fujifilm X-T50’s back screen showing the various movie modes

Movie modes on the Fujifilm X-T50

If that isn’t enough data for you, then you’re in luck—the Fujifilm X-T50 can record ProRes RAW video to an external recording monitor via HDMI. With the addition of IBIS, we have dramatically smoother shots and can reach up to seven stops of image stabilisation.

Autofocus & Subject Tracking 

As many would expect, Fujifilm has added its ‘Deep Learning AI Subject Detect’ to the X-T50. The camera also has a useful AI-assisted autofocus feature for eye tracking.

A photo of a Goldfinch standing on a wire, by Amy Moore with a Fujifilm X-T50

Amy Moore | Fujifilm X-T50 | XF 100-400mm f/4.5-5.6 R LM OIS WR | 400mm | 1/800 | f/5.6 | ISO 500

Fujifilm has improved X-T50’s subject detection system, which can now detect animals, birds, cars, motorbikes, trains and planes.

Note: if you are photographing drones, then switch the camera to either birds or planes, and the X-T50 will be able to detect drones in flight!

A photo of a Squirrel Monkey sitting on a branch, by Amy Moore with a Fujifilm X-T50

Amy Moore | Fujifilm X-T50 | XF 100-400mm f/4.5-5.6 R LM OIS WR | 400mm | 1/400 | f/5.6 | ISO 1000

During our time with the X-T50 at Port Lympne, we had plenty of opportunities to put the X-T50’s animal autofocus to the test. The camera nailed focus on these Goldfinches, Squirrel Monkeys and Giraffes pretty easily.

A close-up of a Giraffe’s face, looking side-eye at the camera, by Amy Moore with a Fujifilm X-T50 and telephoto zoom lens

Amy Moore | Fujifilm X-T50 | XF 100-400mm f/4.5-5.6 R LM OIS WR | 347mm | 1/800 | f/5.6 | ISO 1000

The APS-C sensor—with a crop factor of 1.5x—provides the perceived extra ‘reach’. And, at 40 megapixels, there’s enough resolution to crop in and blow up your subject a little in post-production. 

Paired with the Fujifilm 100-400mm f/4.5-5.6 R LM OIS WR, the X-T50 is a more than capable camera for wildlife photography — like the X-T3, which made our list of the best camera gear for wildlife photography.

A side-by-side comparison photo of the Fujifilm X-T30 II and X-T50

Fujifilm X-T30 II & Fujifilm X-T50

Comparison: Fujifilm X-T50 vs X-T30 II

The X-T50 comes with a number of upgrades over its predecessor, the X-T30 II.

Fujifilm X-T50

Fujifilm X-T30 II

Sensor

X-Trans 5 HR

X-Trans 4

Processor

X-Processor 5

X-Processor 4

Resolution

40 megapixels

26 megapixels

ISO

125–12,800

160–12,800

ISO, extended

64–51,200

80–51,200

IBIS

Yes, 7 stops

No

Max shutter

1/180,000

1/32,000

Video

6.2k/30p, 4K/60p

4K/30p

Bit depth, internal

4:2:2 10-bit

4:2:0 8-bit

Bit depth, HDMI

4:2:2 10-bit

4:2:2 10-bit

ProRes RAW

Yes (external HDMI)

No

Weight

438g

378g

As you can see, there are some pretty solid improvements across the board. The X-T50's specs bring them in line with the X100VI, with a few additional benefits, and close the gap to the pro-level X-T5.

A close-up of the front of a Fujifilm X-T50

Fujifilm X-T50

In May 2024, Fujifilm announced the XF 16-50mm f/2.8-4.8 R LM WR, designed to be super compact and resolve on the X-T50’s 40-megapixel sensor. The zoom doesn’t extend, which is perfect for videographers using a gimbal—as the weight doesn’t shift around. Speaking of weight, the XF 16-50mm only weighs an impressive 240g—ideal for any travel photographer or vlogger looking for a lightweight setup.

A portrait of Connor Redmond wearing glasses and a waterproof jacket at Port Lympne Safari Park, photo by Amy Moore with a Fujifilm X-T50

Amy Moore | Fujifilm X-T50 | XF 16-50mm f/2.8-4.8 R LM WR | 49mm | 1/500 | f/4.8 | ISO 1000

Together, the X-T50 and XF 16-50mm make a pretty versatile setup, capable of everything from impromptu portraits to travel photography.

Sample Images

The X-T50 carries on Fujifilm’s reputation for capturing beautiful imagery. Read our Fujifilm X-T5 review and our recommended Fujifilm X100V & VI alternatives to see what Fujifilm cameras can do.

We spent the day with the X-T50 and were impressed with the stills it created.

A portrait photo of a white flower against a green, out-of-focus background, by Amy Moore with a Fujifilm X-T50

Amy Moore | Fujifilm X-T50 | XF 100-400mm f/4.5-5.6 R LM OIS WR | 400mm | 1/500 | f/5.6 | ISO 1000

A portrait photo of a full-length window at the end of a wooden hallway, by Amy Moore with a Fujifilm X-T50

Amy Moore | Fujifilm X-T50 | XF 100-400mm f/4.5-5.6 R LM OIS WR | 100mm | 1/250 | f/5.6 | ISO 1600

A close-up of a Ferrari badge on the side of a bright blue sports car, by Amy Moore with a Fujifilm X-T50

Amy Moore | Fujifilm X-T50 | XF 16-50mm f/2.8-4.8 R LM WR | 50mm | 1400 | f/4.8 | ISO 500

A photo of a patio table and chairs in front of pink climbing plants, by  Amy Moore with a Fujifilm X-T50

Amy Moore | Fujifilm X-T50 | XF 16-50mm f/2.8-4.8 R LM WR | 16mm | 1/2 sec | f/2.8 | ISO 1000

A photo of three golf buggies at Port Lympne Safari Park, by Amy Moore with a Fujifilm X-T50

Amy Moore | Fujifilm X-T50 | XF 16-50mm f/2.8-4.8 R LM WR | 40mm | 1/250 | f/4.5 | ISO 320

Verdict

Here at MPB, we’ve always admired Fujifilm’s compact and stylish mid-range cameras, starting with the Fujifilm X-T10 and Fujifilm X-T20 through to the Fujifilm X-T30 and Fujifilm X-T30 II.

Our first impression is that we really like the X-T50. The IBIS is great, the image quality is fantastic and the autofocus works well—and the camera’s nice and small, too.

But is the X-T50 worth the upgrade from the X-T30 II? Some photographers will prefer the X-T30 II’s drive dial, which was replaced by a film simulation dial on the X-T50. But the later model’s benefits—IBIS, upgraded sensor and better processor—may outweigh all else.

We love that Fujifilm tends to make sure its flagship technology moves down through the different camera ranges. If you’re tempted by the fixed-lens compact Fujifilm X100VI, but you’d prefer the freedom to use different lenses, then the X-T50 ticks all the same boxes—plus a few more. Likewise, if the pro-level Fujifilm X-T5 is beyond your budget, then the X-T50 could be the right camera for you. 

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