Review: Nikon Zf Modern Retro Full-Frame

Connor Redmond
Written by Connor RedmondOn 21 October 2026
MPB Author
Verified by Laura MilnerOn 21 October 2026
The Nikon Zf looks like a film camera, but does it feel like one?
Rusting vintage car abandoned in tall grass near a coastal house, photographed with the Nikon Zf by Jakub Golis.

As the photography world transitioned to mirrorless tech, it made a realisation, we can have cameras that look cool and retro whilst also keeping the insides modern, powerful and convenient. So we can have the best of both worlds, getting a modern experience with a nostalgic flair. 

For Nikon, that means drawing upon their deep heritage of film cameras, mostly the FM series that featured famous cameras like the Nikon FM2 (which MPB actually sell by the way!). And with that layer of history already there for Nikon, they produced their first retro-styled mirrorless camera, the Nikon Zfc, an APS-C camera that signalled their new line of cameras inspired by film cameras. Then they released the full-frame version, the Nikon Zf. 

https://youtu.be/S98g2iPuYPI?rel=0

The Nikon Zf combines modern tech with a distinctly heritage-inspired design. The Zf features a 24.5 megapixel full-frame sensor, Nikon’s EXPEED 7 processor, advanced subject-detection autofocus and strong low-light capability, all housed within a body styled to reflect classic Nikon film cameras. 

In this review, we cover the Nikon Zf’s build quality, handling and ergonomics, image performance, autofocus system, lens pairing considerations and long-term firmware support. We also address some of the most common questions photographers are asking about the Nikon Zf.

Key Specs

The Nikon Zf sits in the mid-range of Nikon’s full-frame mirrorless cameras but shares core tech with higher-end models in the Z system.

  • 24.5 megapixel full-frame CMOS

  • 5-axis sensor-shift stabilisation (8 stops)

  • 4K UHD/60p video capture

  • ISO 100–64,000 (expandable)

  • Autofocus down to -10 EV

  • Subject detection: people, animals, vehicles, birds

  • Nikon Z mount

  • Fully articulating touchscreen

  • Central electronic viewfinder

  • Metal top and bottom plates, brass dials

Pros

  • Strong low-light autofocus performance

  • Solid metal construction with etched detailing

  • Manual-focus subject detection support

  • Shares EXPEED 7 processor with higher-end Nikon Z bodies

  • Distinctive vintage-style design

  • Long term firmware updates and support from Nikon 

Cons

  • Small grip feels front heavy with larger lenses

  • Fully articulating screen ruins retro aesthetic a bit 

  • No battery grip option

Nikon Zf and Nikon Z 40mm f/2 SE on a black and pink background

Used Nikon Zf and Nikon Z 40mm f/2 SE

Quick Verdict

The cynical take on the Nikon Zf is that it is a Nikon Z6 II with a worse body and no grip while being more expensive. And there is definite truth to that but if you are the sort to think more logically like that and not emotionally about your cameras, then the Zf is probably not for you anyway. The Zf is for the people that like a bit of charm and retro feeling to their cameras but also don’t want to compromise much on the technical specs, while still getting that feeling of a more manual experience.  

Nikon Zf on a black and pink background

Used Nikon Zf

Design and build quality

The major talking point about the Nikon Zf is its design. Nikon clearly has gone for a vintage feel, inspired by its film heritage, but with modern mirrorless capability beneath the surface.

“It’s no secret that for the last little while, Fuji have very successfully been creating vintage styled cameras and Nikon wanted in.” - Amy Moore

The Nikon Zf uses metal top and bottom plates, with brass dials designed to wear over time and develop patina. This is not purely cosmetic; the materials give the camera a reassuring solidity.

There is, however, a design decision that divides opinion in many discussions of the Nikon Zf. The fully articulating screen is practical for video and self-recording, but it interrupts the clean retro lines of the body. When folded inward, the leatherette rear restores a more classic appearance.

“What I don’t like is this screen. The good thing is you can put it away and you have a nice leatherette back to it, which is really nice.” - Amy Moore

Nikon Zf on a black and pink background

Used Nikon Zf 

Sensor and image quality

Some photographers may have expected a higher-resolution sensor to be put into the Zf, but we think 24.5 is sufficient for most real-world photography. For most people's use cases this is the sweet spot. It supports large prints and detailed files while maintaining manageable file sizes.

Bodiam Castle surrounded by a moat, reflected in calm water and framed by autumn trees, photographed with the Nikon Zf by Jakub Golis.

Jakub Golis | Nikon Zf | Z 24-70mm f/4 S | f/11 | 1/60 sec | ISO 100

The Nikon Zf is a technically capable camera beneath the styling, it is not simply a nostalgic object.

For photographers researching whether the Nikon Zf is suitable for professional or enthusiast use, image quality will not be the limiting factor, you can expect the same results as the Nikon Z6 II, essentially. 

Portrait of a golden Labrador puppy sitting on grass, demonstrating the Nikon Zf’s eye autofocus and subject detection performance, by Amy Moore.

Amy Moore | Nikon Zf | Z 24-70mm f/4 S | f/4.0 | 1/500 sec | ISO 640

Autofocus and low-light performance

Autofocus is one of the Nikon Zf’s strongest selling points. In daylight, Eye AF locks on quickly and remains stable during subject movement. Subject detection extends to animals and vehicles, broadening its versatility.

The speed of the autofocus reminds us of the impressive Nikon Z8, which is welcome in a camera that is most of the time going to be used as a street photography camera where action can be fast and moments fleeting.

Black and white portrait of a photographer using the Nikon Zf outdoors at dusk, highlighting its low-light performance and eye autofocus accuracy, by Amy Moore.

Amy Moore | Nikon Zf | Z 28mm f/2.8 | f/2.8 | 1/15 sec | ISO 8000

Low-light autofocus

Autofocus down to -10 EV is an ambitious goal for a camera to reach. In practice, the Nikon Zf continues to focus reliably in very dim environments. This makes it well suited to indoor events, evening street photography or low-light portrait work.

Importantly, this low-light performance does not feel like a marketing claim. In testing, autofocus remains usable when ambient light drops significantly.

Boats stored on land beside a marina, framed by autumn reeds and a willow tree, photographed with the Nikon Zf by Connor Redmond.

Connor Redmond | Nikon Zf | Nikon AF Nikkor 85mm f/1.4D | f/1.8 | 1/250 sec | ISO 200

Manual-focus support and adapted lenses

If you use a lot of vintage glass or manual focus lenses (especially those delicious old Nikon f-mount lenses) then the Nikon Zf has some tricks for you. The subject detection feature in manual focus mode provides a visual cue when focus is achieved, which bridges the gap between classic shooting style and modern assistance.

Combined with the adaptable Z mount, this makes the Nikon Zf a natural partner for legacy Nikon lenses and other adapted lenses. 

Black and white street scene of a person and child walking a dog along a waterfront path, by Amy Moore

Amy Moore | Nikon Zf | Z 24-70mm f/4 S | f/4.0 | 1/160 sec | ISO 1600

Handling and ergonomics

Handling is where opinion is most likely to diverge. Because the Nikon Zf can sometimes feel too small and awkward in the hands. The grip is the main issue, it is modest. With smaller prime lenses, the camera feels well balanced. But with larger zoom lenses, it can feel quite front-heavy. This is the trade-off for preserving the slim, vintage-style body.

Close-up of a Nikon Zf full-frame mirrorless camera being held, showing the vintage-style top dials and mounted 28mm lens.

Nikon Zf vintage-style top dials

The Nikon Zf combines traditional dials with PASM modes, allowing you to choose between a tactile, dial-driven experience or a more modern approach. This flexibility is there.

Abandoned vintage car in a field framed by yellow gorse flowers and telephone poles, by Jakub Golis.

Jakub Golis | Nikon Zf | Z 40mm f/2 | f/11 | 1/50 sec | ISO 450 

For some photographers, this compromise will be worth it for the aesthetic and tactile appeal. But for others, the ergonomics may take priority and that is totally fair because comfortability in the hand while shooting can really end up being the thing that matters most. 

Nikon Z 28mm f/2.8 SE and Z 40mm f/2 SE on a blue and black background

Used Nikon Z 28mm f/2.8 SE and Z 40mm f/2 SE

Best lenses for the Nikon Zf

Lens choice significantly affects how the Nikon Zf performs in daily use, mainly because of the size and feel. Nikon has made two dedicated ‘SE’ lenses that fit the retro-style. These are the Z 28mm f/2.8 SE and Z 40mm f/2 SE. And both of those focal lengths tell you a lot about how Nikon thinks to use the Nikon Zf. That is, as a compact street camera. 

Large sand bunker on a golf course under overcast skies, by Connor Redmond.

Connor Redmond | Nikon Zf | Z 40mm f/2 | f/5.6 | 1/125 sec | ISO 360

Compact primes tend to suit the body best, maintaining balance and reinforcing the vintage look. Larger Z-mount zooms provide versatility but shift the handling dynamic and we wouldn’t really recommend using them unless you really need to.

Used Nikon Zfc on a black and white background

Used Nikon Z fc and Nikon Nikkor Z 28mm f/2.8

Nikon Zf and Nikon Z fc Compared

Before the Zf there was the Nikon Zfc. The Zfc looks a lot like the Zf but is the cheaper, more affordable option. But both cameras are trying to do the same thing with the same philosophy. Read our Nikon Z fc review for more in-depth info on that camera. 

The most significant difference is sensor size and camera body size. The Nikon Z fc is trying to be smaller and more compact so it uses a 20.9 megapixel APS-C sizes sensor, while the Zf has a bigger full-frame sensor. 

Ergonomically, both cameras have relatively small grips that prioritise style over deep handholds. Both have fully articulating screens and opinions on that design choice tend to be similar across the two.

A vintage caravan in Norfolk with pink curtains. By Ian Howorth.

Ian Howorth | Nikon Zfc | Nikon Nikkor Z 28mm f/2.8 SE | f/9 | 1/320th | ISO 200 

Both cameras embrace retro styling, but the Nikon Zf feels more premium. It uses metal top and bottom plates and brass dials designed to develop patina over time. The Zfc, while well made, does not have the same level of material finish and is more ‘plasticky’. 

A lone tree stump on a large flat beach in Norfolk. By Ian Howorth.

Ian Howorth | Nikon Zfc | Nikon Nikkor Z 28mm f/2.8 SE f/2.8 | 1/500th | ISO 400

Ultimately price will probably be your deciding factor. The Nikon Zfc is aimed more clearly at enthusiasts and beginners who want the retro look in a lighter, more affordable package. The Nikon Zf, by contrast, is a higher-performance full-frame mirrorless camera designed for photographers who want vintage styling without sacrificing modern autofocus and image quality. 

If you are choosing between the two, the decision largely comes down to whether you want full-frame performance and the latest autofocus technology, or a more compact APS-C body that delivers the same aesthetic in a lighter and more accessible format.

Firmware updates and long-term support

Since launch, Nikon has done a really stellar job at supporting the Nikon Zf, while adding new features to the camera. It does instill a sense of confidence when buying a Nikon camera knowing that they are working on new features for their mirrorless lineup. Many older photographers will know all too well the general lack of post launch support for cameras back in the early days of digital cameras. But now new cameras are treated more and more like our phones in terms of feature updates. 

Night scene of a small cinema called Kino with the entrance illuminated by red neon lights, by Jakub Golis.

Jakub Golis | Nikon Zf | Z 40mm f/2 | f/2.0 | 1/50 sec | ISO 1000

Nikon Zf Firmware Version 2.00 (April 2025)

This was the first major update since launch and added several useful features beyond basic fixes:

  • Imaging Recipes (creative picture profiles)

  • Nikon Imaging Cloud support. The Zf can now use Nikon's cloud services, enabling automatic image transfers to third-party cloud storage and cloud-based firmware updates.

  • Dedicated Birds subject-detection mode. Improves autofocus tracking specifically for bird photography.

  • Hi-Res Zoom function. A video zoom feature that allows up to 2× zoom even with prime lenses (assignable to a control).

  • Expanded manual-focus usability. Improvements when using non-CPU/manual lenses, including better naming and handling.

Nikon Zf Firmware Version 3.00 (October 2025)

The next major update focused on creative and usability features:

  • In-camera Film Grain feature. Nikon added a film-like grain effect that can be applied to photos and videos, with adjustable grain size and intensity, helping create an analog-inspired look directly in camera.

  • User interface improvements. New focus-peaking options included a “only during zoom” mode for precise manual focusing and additional grid and composition aid overlays.

  • Manual focusing aids and control additions. New custom setting items for focus peaking, assignable controls, and a few workflow quality-of-life tweaks such as orientation retention and video output settings.

Black and white architectural picture with concrete pillars and contrasty lighting, photographed with the Nikon Zf to demonstrate the film style grain feature, by Jakub Golis.

Jakub Golis | Nikon Zf | Z 40mm f/2 | f/2.0 | 1/1600 sec | ISO 100

Nikon Zf In-body Film Grain

Our resident UK videographer Jakub Golis is always on a quest to find a film-like experience in digital cameras, he wrote the best digital cameras for film-like photography. So when he found out Nikon added in-built film grain to the Nikon Zf, he jumped with joy, literally. Here is what he had to say about it:

“Nikon made the Nikon Zf even better with the 3.0 firmware. It brought quite a few updates but for me the most important one was the in-camera grain feature. You can control the grain size (small, medium, large) and strength (1 to 6) and combine it with any of the built-in colour profiles. It pairs perfectly with the dedicated monochrome mode and renders film-like JPGs straight out of camera. The grain looks natural and I liked that its pattern changes with every frame, exactly like on film. Sadly, you can't assign the grain settings to a custom button, just whether the grain is on or off. For more controls, you have to dive into the menu.” - Jakub Golis

Here is a comparison with the grain off and on: 

Nikon Zf GRAIN ON
Nikon Zf GRAIN OFF

On the left we have a standard jpeg with the grain turned off, and on the right we have the grain setting turned on set to Large at Strength 3

Here are some more examples of that delicious grain in action: 

Candid indoor portrait of a fine young gentleman sitting at a café with coffee pondering the wonders of the universe. By Jakub Golis.

Jakub Golis | Nikon Zf | Z 40mm f/2 | f/2.0 | 1/50 sec | ISO 125

Black and white architectural interior with concrete pillars and contrasty lighting, photographed with the Nikon Zf to demonstrate the film style grain feature, by Jakub Golis.

Jakub Golis | Nikon Zf | Z 40mm f/2 | f/2.0 | 1/50 sec | ISO 900

Nikon Zf Sample Pictures

Rusting vintage car abandoned in tall grass near a coastal house, photographed with the Nikon Zf by Jakub Golis.

Jakub Golis | Nikon Zf | Z 40mm f/2 | f/4.0 | 1/60 sec | ISO 100

Cracked window panes in an abandoned house, photographed with the Nikon Zf by Jakub Golis.

Jakub Golis | Nikon Zf | Z 40mm f/2 | f/2.0 | 1/50 sec | ISO 125

Moody coastal scene at dusk with a road leading towards a lighthouse and industrial buildings,, photographed with the Nikon Zf by Jakub Golis.

Jakub Golis | Nikon Zf | Z 40mm f/2 | f/2.0 | 1/80 sec | ISO 100

Modern building roofline with illuminated windows against a deep blue evening sky, photographed with the Nikon Zf by Amy Moore.

Amy Moore | Nikon Zf | Z 24-70mm | f/4.0 | 1/15 sec | ISO 1250

Coastal power station and chimney at blue hour with waves rolling in, photographed with the Nikon Zf by Amy Moore.

Amy Moore | Nikon Zf | Z 28mm f/2 | f/5.6 | 1/4 sec | ISO 800

Wind turbine spinning at dusk beside a pebble beach, photographed with the Nikon Zf by Amy Moore.

Amy Moore | Nikon Zf | Z 28mm f/2 | f/2.8 | 1/4 sec | ISO 3200

Empty industrial road at night with streetlights reflecting in puddles, photographed with the Nikon Zf by Amy Moore.

Amy Moore | Nikon Zf | Z 28mm f/2 | f/5.6 | 1/4 sec | ISO 800

Small brick utility building with exterior metal stairs in a rural landscape, photographed with the Nikon Zf by Connor Redmond.

Connor Redmond | Nikon Zf | Z 40mm f/2.0 | f/5.6 | 1/125 sec | ISO 800

Woven wooden fence running across a grassy embankment, photographed with the Nikon Zf by Connor Redmond.

Connor Redmond | Nikon Zf | Z 40mm f/2.0 | f/5.6 | 1/400 sec | ISO 160

A collection of Tudor looking houses in Kent, England, photographed with the Nikon Zf by Connor Redmond.

Connor Redmond | Nikon Zf | Nikon AF Nikkor 85mm f/1.4D | f/1.8 | 1/2000 sec | ISO 400

Final Thoughts

The Nikon Zf is an interesting mix of modern and retro. It combines classic styling and manual dials with a fully articulating screen, PASM shooting modes and genuinely modern autofocus speeds. You get the look and tactile feel of a heritage camera, but with the performance of a current-generation Nikon mirrorless body inside.

It is not a camera that fits neatly into a single category. If you already shoot with Nikon Z bodies such as the Z7 or Z9 and want something with more character for everyday use, the Nikon Zf makes sense. If you enjoy adapting lenses or working manually, it lends itself well to that style of shooting.

Ultimately, the Nikon Zf feels like a deliberate compromise between vintage aesthetics and modern functionality. Once you understand what it offers, you will likely know whether it is the right camera for you.


A hand holding the Nikon Zf up

FAQs

Is the Nikon Zf good in low light?

Yes, the Nikon Zf autofocus works down to -10 EV and performs reliably in very dim conditions.

Is the Nikon Zf good for street photography?

Yes, its compact full-frame design and strong Eye AF make it well suited to street and travel photography.

Is the Nikon Zf good for video?

Yes, it supports 4K recording, internal 10-bit video and has a fully articulating screen.

Does the Nikon Zf have image stabilisation?

Yes, the Nikon Zf includes 5-axis in-body image stabilisation (IBIS).

Is the Nikon Zf weather sealed?

Yes, the Nikon Zf features weather sealing comparable to other Nikon Z mirrorless cameras.

Does the Nikon Zf have dual card slots?

Yes, it includes one UHS-II SD slot and one microSD slot.

Is the Nikon Zf better than the Nikon Z6 II?

The Nikon Zf offers newer autofocus processing and subject detection in a retro-styled body.

Is the Nikon Zf good for manual-focus lenses?

Yes, it supports manual-focus subject detection and adapts well to legacy lenses.

Does the Nikon Zf have a battery grip?

No, there is no official battery grip for the Nikon Zf.


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