A minimalist street photograph showing a sunlit cream-coloured building facade with deep shadows, windows and street signage, captured in warm golden-hour light with the Ricoh GR IV compact camera.

Review: Ricoh GR IV APS-C Compact Camera

Published 22 January 2026 by MPB

The Ricoh GR series has been turning heads for years, and it really comes down to one thing: these cameras are tiny, but the photos they produce don’t feel that way at all. With its pocketability and no-fuss design, you can grab, shoot and run. Ricoh has officially brought joy back to point-and-shoot photography. 

In this Ricoh GR IV review, Connor Redmond looks at how the camera refines the GR formula. Five-axis stabilisation, a revised 28mm lens and even more internal storage all make it more usable, particularly for street and travel photographers who already “get” what these cameras are about.

Front of the Ricoh GR IV on a white background with a long shadow.

 Used Ricoh GR IV

Ricoh GR IV Specifications

Sensor

APS-C

Lens

18.3mm f/2.8 (28mm equiv)

Megapixels

25.7

Resolution

6192x4128

ISO

100–204,800

Max shutter

1/4000

Autofocus

Phase, contrast, eye, face

IBIS

5-axis

Max video

1080, 60p

Internal memory

53GB

Media

MicroSD

Port

USB-C

Battery 

DB-120

Battery, shots

Approx 250

Wi-Fi

2.5/5GHz

Size, mm

109x61x33

Weight, g

262

Pros 

  • Pro-level image quality

  • Pocketable

  • Five-axis stabilisation 

  • 53GB internal storage 

  • Snap Focus

  • Discreet, minimalist design

  • Improved lens edge sharpness

  • Improved start-up time 

Cons 

  • Limited battery life

  • Fixed screen reduces flexibility

  • No built-in viewfinder

  • Autofocus is not designed for fast action

  • Upgrades are iterative

  • File transfer from internal storage process 

A coastal photograph of a lurcher dog wearing a coat, standing on a pebble-strewn beach, captured in soft natural light, using the Ricoh GR IV compact camera.

Connor Redmond | Ricoh GR IV | f/2.8 | 1/1000 sec | ISO 200 

Quick Verdict

The Ricoh GR IV is more of a refinement of the successful Ricoh GR III than anything else. Ricoh has been open about that. There is no huge change here; it’s simply more of the same but better. Please, Ricoh, if you reconsider though, I beg of you, make an attachable electronic viewfinder (EVF) for this camera. Pretty please? 

A Ricoh GR IV camera in its packaging. The box is grey and the inner packaging is white, with an off white background

Used Ricoh GR IV in its box

Incremental Upgrades

The new Back-Side Illuminated (BSI) sensor offers a small resolution bump to 25.7 megapixels and slightly improved dynamic range, though the difference won’t be obvious to you in everyday shooting. The redesigned 28mm lens has better edge-of-frame performance, which is particularly noticeable when shooting architecture or scenes with fine detail across the frame. 

A quiet street scene showing white-painted buildings, a yellow front door and long shadows cast by low sunlight, captured in soft evening light using the Ricoh GR IV compact camera.

Connor Redmond | Ricoh GR IV | f/8.0 | 1/80 sec | ISO 100

The most significant improvement is undoubtedly the addition of 5-axis image stabilisation. This has a tangible impact on how usable the camera feels in low light and indoor situations. 

The rear of a used Ricoh GR IV camera, showing dials and the fixed screen

Rear of a used Ricoh GR IV

The new processor makes the camera feel snappier than the now ageing GR III. Operations generally feel smoother, but most notably, the rapid start-up time of the camera.  

The jump to 53GB of internal storage is another quietly excellent change, especially compared to the very limited storage on the GR III. 

 A candid street scene showing a discarded sofa/armchair propped against railings outside a residential building, captured in bright natural winter light using the Ricoh GR IV compact camera.

Connor Redmond | Ricoh GR IV | f/2.8 | 1/1000 sec | ISO 200

The body design has had some tweaks, or revisions, we should say. Ricoh has listened to feedback and returned to a design that resembles the Ricoh GR II, although the changes are minimal, which I appreciate, personally. 

The view of the Ricoh GR IV camera from the top, showing dials, hot shoe and viewfinder

Top dials of the Ricoh GR IV

Design and Handling

The GR IV looks and feels very much like the GR III, but the keen-eyed GR enthusiasts will spot something different right away. The scroll wheel on the GR III is no more. Instead, it’s been replaced by a satisfying D-pad which feels more tactile. There’s also now an added plus and minus rocker to control exposure compensation, similar to the one found on the Ricoh GR, which is helpfully placed. 

The back of the Ricoh GR IV, with dials, buttons and rocker

Back of the Ricoh GR IV

One-handed shooting is still this camera’s core strength, and it feels more comfortable with the new rocker positioned where your thumb naturally rests for quick exposure compensation adjustments. 

The fixed rear screen does limit flexibility, particularly for low-angle or overhead shots, and the lack of a viewfinder reinforces the GR’s “shoot from the hip” ethos. However, compared to something like the Fujifilm X100VI, the GR IV is dramatically smaller and more pocketable (109x61x33mm, 262g vs 128x75x55mm, 478g), which remains one of its biggest advantages.

An abstract image showing soft pink, orange and blue cloud reflections across a car windscreen, captured in natural light using the Ricoh GR IV compact camera.

Connor Redmond | Ricoh GR IV | f/5.6 | 1/125 sec | ISO 250

New Ricoh GF-2 Flash 

Alongside the release of the GR IV, Ricoh introduced a new, compact GF-2 flash, sold separately. Sadly, I’ve not had a chance to test one, although the GR IV apparently manages to stay pocketable, still fitting in a pocket with the flash attached, as well as adding a useful fill light capability. It features an auto flash ISO setting, allowing the camera to control the flash guide number, and comes with a built-in rechargeable battery that can be charged via USB-C.

Front of the Ricoh GR IV showing the on/off button and top plate command dials

Top dials of the Ricoh GR IV

Battery Life and Storage

Battery life is modest. You can expect around 200–250 shots per charge, depending on how much chimping and stabilisation you’re using. USB-C charging is helpful when travelling, but I recommend carrying spare batteries.

The new addition of 53GB internal memory is a welcome one, as microSD cards can be annoying and fiddly. You can expect to get around 2,000 JPEGs or roughly 500–600 RAW images. For this camera, which will often be your daily carry, you probably won’t need more than that before you offload the images anyway. 

A clean, minimalist street photograph of a white-painted building with a vivid yellow door, red steps and surrounding architectural details, captured in soft daylight with the Ricoh GR IV compact camera.

Connor Redmond | Ricoh GR IV | f/8.0 | 1/80 sec | ISO 100

Connectivity needs work. One pain point I experienced with the Ricoh GR IV was transferring the pictures from the internal storage to my Mac. I was hoping the Ricoh would appear like an SD card or external drive, allowing you to simply drag and drop files. Unfortunately, this isn’t the case, and it is annoying. I found importing directly into Lightroom to be slightly buggy, and it didn’t work as expected. I eventually resorted to using Image Capture, which did the trick. 

A minimalist street photograph showing a sunlit cream-coloured building facade with deep shadows, windows and street signage, captured in warm golden-hour light with the Ricoh GR IV compact camera.

Connor Redmond | Ricoh GR IV | f/8.0 | 1/400 sec | ISO 100

There is the straight-to-phone method with the GR WORLD app, which works well enough. The live View/Capture is a neat, if niche feature, but if you want to do some serious editing on the desktop, the bottom line is that you need to go through the hassle of getting them from the camera, which isn’t a smooth process. Which surely defeats the point of the internal storage feature? I’d still recommend a microSD card for a quicker transfer.

A monochrome coastal photograph showing weathered wooden groynes and coiled ropes along a quiet beach, captured in soft, overcast light using the Ricoh GR IV compact camera.

Connor Redmond | Ricoh GR IV | f/4.0 | 1/320 sec | ISO 200

Shooting Performance

Startup time is now quicker, which really suits the fast, spontaneous shooting that Ricoh cameras encourage. See a shot, turn on, and the camera is ready almost instantly. 

The GR IV performs best when you embrace its strengths, which include zone focusing, Snap Focus and pre-visualising shots. It encourages instinctive shooting, which is central to that GR formula I mentioned previously. 

 A vibrant street market scene showing neatly arranged action figures and dolls laid out on a blue cloth, captured in natural daylight using the Ricoh GR IV compact camera.

Connor Redmond | Ricoh GR IV | f/5.6 | 1/125 sec | ISO 500

Autofocus

Snap Focus is still the preferred method for many GR users, and it’s one of the camera’s best features. The hybrid autofocus system is slightly more consistent than the GR III, but this is an incremental improvement, and it definitely falls short of a transformation.

The back of the Ricoh GR IV switched on, showing the Focus Settings menu

Ricoh GR IV focus settings menu

Face and eye detection are available, but they’re not incredible and can feel a little hesitant. Autofocus also struggles most with fast-moving subjects and low-contrast scenes; it’s not as strong as the Sony APS-C cameras. 

The back of the Ricoh GR IV switched on, showing the Snap Focus menu options

The snap focus distance can be set from 0.3m to 5m

Take the picture below, for instance. I was hoping it would snap onto the person's face in the centre-left of the frame, but sadly, it did not and the moment passed. I feel like a Sony camera, like the Sony A7C II, would have nailed that shot. In hindsight, I should have used the Snap Focus here, but I was eager to see how good the face recognition was. 

A candid street market scene showing shoppers browsing boxes of household items and collectables beside a bright yellow van, captured in natural daylight. The image comparison tool shows someone's face slightly out of focus.

Connor Redmond | Ricoh GR IV | f/5.6 | 1/125 sec | ISO 320 

A candid street market scene showing shoppers browsing boxes of household items and collectables beside a bright yellow van, captured in natural daylight. Cropped in to show someone's face out of focus.

Connor Redmond | Ricoh GR IV | f/5.6 | 1/125 sec | ISO 320 

Where the Ricoh GR IV performs best, though, is when using the Snap Focus function in street settings. Particularly if you have a good idea of the distance ahead  and you have shots in mind. Again, this strategy would have worked perfectly in the situation above, knowing the rough distance was 2.5–3 metres

Five-axis In-body Image Stabilisation

IBIS is one of the most meaningful upgrades in the GR IV. The new five-axis IBIS allows significantly slower shutter speeds when held in your hands. This opens up new shooting possibilities, like lower ISOs at night with longer shutter speeds and creative techniques that use motion blur. 

The image below was taken at 1/13 second. Here, the IBIS did its job, crisply capturing detail in the shadows at Tate Modern. 

An interior shot of the large gallery space inside the Tate Modern, in London with a tall suspended art installation and people walking below.

Connor Redmond | Ricoh GR IV | f/2.8 | 1/13 sec | ISO 100

ISO and Low Light Performance

High ISO image quality is excellent for an APS-C sensor. We see some muddiness in the details of the shot below at 12800 ISO, but honestly? It isn’t that bad, and certainly nothing Lightroom’s AI Denoise filter can’t handle. 

A warmly lit chapel interior decorated for Christmas, featuring a tree, string lights and rows of chairs with festive blankets, captured indoors.

Connor Redmond | Ricoh GR IV | f/2.8 | 1/125 sec | ISO 8000 

Close-up crop showing an example of the grain at ISO 8000 on the Ricoh GR IV.

Connor Redmond | Ricoh GR IV | f/2.8 | 1/125 sec | ISO 8000 

 shot through a red door frame down a dark alleyway, with red tiles leading up to a red wooden door.

Amy Moore | Ricoh GR IV | f/2.8 | 1/250 sec | ISO 2500

Image Quality

The image quality is strong for an APS-C compact. I would go as far as to say that these are some of the best RAWs I have seen from an APS-C sensor (yes, even better than Fujifilm or Sony). They are crispy and sharp, which some people might not enjoy and dismiss as ‘too clinical,’ but I don’t see them that way myself. I also like the slight halation we get in the highlights, even on the regular model, not just the GR IV HDF.

Black-and-white photograph of bare tree branches against an overcast sky, captured with the Ricoh GR IV.

Connor Redmond | Ricoh GR IV | f/4.0 | 1/800 sec | ISO 200

Corner sharpness appears to have improved when compared to the GR III, particularly at wider apertures. The contrast feels natural rather than punchy, with highlights handled effectively.

 The back of the Ricoh GR IV, showing the various film simulation filters

Example of some of the picture profiles on the Ricoh GR IV

You get 14 built-in Image Control modes, plus three fully custom slots, giving you 17 selectable profiles in total. Those are Standard, Vivid, Monotone, Soft Monotone, Hard Monotone, Hi-Contrast B&W, Negative Film, Positive Film, Cinema (Yellow), Cinema (Green), Bleach Bypass, Retro, Cross Processing, HDR Tone, Custom1, Custom2, Custom3.

Each profile is adjustable (contrast, sharpness, saturation, grain, toning, etc.), so you can treat them like a starting off point, a bit like Fujifilm film simulation recipes.

Ricoh’s Monochrome, Positive Film and Cinema Green profiles stick out as the best for me. I like the pleasing tones of the positive film mode, and the harshness of the Hard Monochrome setting has grown on me for certain scenes. Cinema Green gives you an aggressive 'cinematic' look, but in urban environments can look excellent.

A promenade on a sunny day, lined with colourful seaside huts. Above is a clear light blue sky with wispy white clouds. No simulation filters added.
A promenade on a sunny day, lined with colourful seaside huts. Above is a clear light blue sky with wispy white clouds. Using the Vivid film simulation filter.

Left: Vivid | Right: No Filter

A watersports centre, with a large stretch of water, showing houses in the far distance and a clear blue sky above. No simulation filter used.
A black and white photo of a watersports centre, with a large stretch of water in the centre, showing houses in the far distance. Using the Hard Monotone film simulation filter.

Left: Hard Monochrome | Right: No Filter

DNG files are where the Ricoh GR series shines; they’re such malleable files to work with. The photos always feel crispy but not overly so. There is no noticeable difference between the GR IV and GR III in terms of detail here, but with such a small bump in resolution, that is to be expected. 

Ricoh GR IV Sample Images

A calm coastal scene showing weathered concrete groynes on a sandy shoreline with the sea and cloudy sky in the distance, captured in soft natural daylight using the Ricoh GR IV compact camera.

Connor Redmond | Ricoh GR IV | f/3.2 | 1/640 sec | ISO 200

A street photograph showing a discarded sofa propped against railings, with strong sunlight and architectural shadows cast across a white building, captured using the Ricoh GR IV compact camera.

Connor Redmond | Ricoh GR IV | f/5.6 | 1/4000 sec | ISO 1000 

A quiet street scene framed by white and pastel-painted buildings, with soft sunlight and a clear blue sky overhead, captured in natural daylight using the Ricoh GR IV compact camera.

Connor Redmond | Ricoh GR IV | f/5.6 | 1/1600 sec | ISO 1000

A detailed street photograph of a corner building featuring ornate balcony railings, frosted windows and potted plants, captured in soft natural daylight using the Ricoh GR IV compact camera.

Connor Redmond | Ricoh GR IV | f/5.6 | 1/800 sec | ISO 1000

A close-up street detail showing an illustrated eagle cartoon character sticker on the front of a vehicle, captured in soft natural light using the Ricoh GR IV compact camera.

Connor Redmond | Ricoh GR IV | f/5.6 | 1/125 sec | ISO 200

Ricoh GR IV Alternatives

We’ve put together a list of some of the most viable alternative camera options, which are all ideal for both street photography and travel photography. Perfect for when you’re on the go and ready to weather any condition, you’ve got a strong lineup to go at. Let’s take a look.

 Used Ricoh GR III on a blue and aqua background

Used Ricoh GR III

Ricoh GR III or GR IIIx

We’ll start with the obvious. If you’re eyeing compact street shooters, the Ricoh GR III is the closest match to the GR IV, boasting the same 28mm-equivalent lens and many of the same specs. It’s pocketable and light (257g), and you can shoot in both RAW and JPEG. It’s also quick, making it ideal for street photography. The upcoming GR IV is expected to reduce start-up time slightly, but for most, the GR III will fit the bill 

Old-fashioned american saloon bar in a desert environment

Ian Howorth | Ricoh GR III | f/9 | 1/80 sec | ISO 100

We took the GR III to Spain and Portugal to create our in-depth Ricoh GR III review, and it handled just about everything we threw at it. Long exposures, manual focus, playing with dynamic range, you name it, it nailed it. 

Okay, we did need to pack some extra batteries, thanks to extended shooting time. You’ll likely need to do this with the Ricoh GR IV, too.

Used Ricoh GR IIIx on a black-and-white background

Used Ricoh GR IIIx 

If you’d rather shoot the 40mm equivalent, then go with the Ricoh GR IIIx.

An almost abstract-looking image of vibrant pastel colours from an apartment building in Albufeira, Portugal. By Connor Redmond.

Connor Redmond | Ricoh GR IIIx | f/4.0 | 1/4250 sec | ISO 100

Other than the lens, the GR III and GR IIIx are virtually identical. Read our full Ricoh GR IIIx review.

Used Fujifilm X100VI on a red, blue and yellow background.

Used Fujifilm X100VI 

Fujifilm X100VI or X100V

If the Ricoh GR series and Fujifilm X100 series were to jump in the ring, it would be too close to call.

The Fujifilm X100V and the GR IV differ significantly in design, handling, and intended use, but they both excel within their own category.

A bright kids’ playground in a ski resort in the Italian Alps. Taken on the Fujifilm X100VI by Amy Moore.

Amy Moore | Fujifilm X100VI | f/7.1 | 1/320 sec | ISO 125

Fujifilm X100VI Advantages

  • Built-in hybrid optical/electronic viewfinder

  • Wider f/2 aperture provides more light

  • 35mm equivalent focal length preferred by some

  • 4K video

  • Weather sealing possible with filter adapter

  • Film simulation modes

GR IV Advantages

  • Dramatically smaller and lighter (262g vs 478g)

  • Pocketable dimensions

  • Wider 28mm field of view

  • Snap Focus for instant shooting

  • Significantly lower expected price

  • Simpler, more focused operation

If you’re after something easily portable and pocketable, the GR IV looks to come out on top. But if you’re after something more robust, with more advanced video capability, then it’s probably best to read our comprehensive Fujifilm X100VI review and decide for yourself. 

Used Fujifilm X100V on a bright green and maroon background

Used Fujifilm X100V

Alternatively, there’s the Fujifilm X100V, which offers many similar features to the X100VI, with only a few compromises.

A swimming pool in an Italian villa in the middle of summer with a bright, low sun overhead. By Connor Redmond.

Connor Redmond | Fujifilm X100V |  f/8 | 1/170th | ISO 160

Read our full Fujifilm X100V review, or take a look at other Fujifilm APS-C options in our X100-series guide.

Flatlay of two Ricoh GR IV’s and extra conversion lenses and accessories

Verdict: Is the Ricoh GR IV Worth It?

The Ricoh GR IV is a necessary, thoughtful update rather than a drastic change. What’s missing are features that people (including myself) are still after, such as a built-in viewfinder or attachable EVF, better autofocus tracking and perhaps a tilting screen.

For GR III owners, the upgrade is worthwhile if better stabilisation and internal storage matter to you. Otherwise, it’s not essential. The GR IV justifies its price if you appreciate its unique shooting philosophy, but it won’t convert people who were already unconvinced by the GR concept.

It’s best suited for street photographers, people on their travels and anybody who wants portability and discretion above all else. The ability to always have the camera with you at all times can’t be overstated; I have taken shots I may never have taken because of this camera, simply because it was always in my pocket to reach for. For anyone looking to reduce their phone use for taking pictures, the Ricoh GR IV is the camera that can help break that habit.


Ricoh GR IV FAQs

What is the difference between Ricoh GR III and GR IV?

Compared to the Ricoh GR III, the Ricoh GR IV adds five-axis stabilisation, a new BSI sensor, an improved lens design, faster processing and 53GB internal storage.

What was the Ricoh GR IV release date?

The Ricoh GR IV was released in August 2025.

Does the Ricoh GR IV have a zoom lens?

The Ricoh GR IV doesn’t have a zoom lens. It uses a fixed 28mm equivalent lens.

Does the Ricoh GR IV have weather sealing?

Unfortunately, the Ricoh GR IV doesn’t have weather sealing.

What is the price of the Ricoh GR IV?

The Ricoh GR IV had a launch price of $1,499/£1,199/€1,449, but check MPB for the latest secondhand prices.


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