
Selects: Top 9 Mirrorless Cameras for Travel Photography
Published 15 November 2024 by MPB
Picking the right camera for travel photography can be trickier than deciding where to go.
As a genre, travel photography can include anything from immortalising family vacations to shooting for travel magazines. Travel photography demands a camera that can adeptly capture various scenes, from landscapes to wildlife to architecture to portraits. And, if you’re a travel photographer, you’re always on the move. So you’ll want versatile, adaptable and lightweight camera gear that can handle many different scenarios.
Mirrorless cameras are particularly well-suited to travel photography. They’re available in a range of sensor formats, including medium format, full frame and APS-C, and offer many useful features in a portable package. While mirrorless cameras tend to cost more than DSLRs, there are still plenty of affordable options. Mirrorless cameras are also far more versatile than all-in-one compact cameras for travel photography. However, if you are more interested in compact cameras, have a read of our article on the best compact travel cameras.
This article will help you find a mirrorless camera that strikes the perfect balance between performance, features and price for your travel photography. We’ll take a deep dive into all the relevant considerations for travel photography, including each camera’s sensor size, image quality, portability and durability. We’ll propose a few options for travel photography lenses, too.
Our recommended mirrorless cameras for travel photography:
Best All-rounder: Sony A7 IV
Best for Beginners: Nikon Z50
Best Full-frame: Nikon Z7 II
Best Lightweight: Sony A7C
Best APS-C: Fujifilm X-T5
Best Micro Four Thirds: Panasonic DC-G9
Best Design: Fujifilm X-Pro 2
Best Value: Canon EOS RP
Best Medium Format: Fujifilm GFX 50R

Used Sony A7 IV & Sony FE 16-35mm f/2.8 GM II
Best All-rounder Mirrorless Camera for Travel Photography: Sony A7 IV
For travel photography, our pick for the most well-rounded and versatile mirrorless camera is the full-frame Sony A7 IV. Pair it with the Sony FE 24-105mm f/4 G OSS or 24-70mm f/2.8 GM II for a setup that can handle just about anything.
Specs
33-megapixel BSI CMOS full-frame sensor
5-axis & 5-stop stabilisation
Hybrid autofocus system, 425 contrast-detect points, 693 phase-detect points
4K video, S-Log3 and S.Cinetone colour profiles
659 grams
Upsides
Excellent image quality and features in a small, lightweight body
Fantastic low-light ISO performance, up to 204,800 ISO
10fps continuous shooting
Huge variety of FE-mount lenses available
Downsides
No 120fps for slow-motion video in 4K
Menu system can be a little confusing
The 33-megapixel sensor of the Sony A7 IV provides an excellent balance between resolution and low-light capability. This makes the Sony A7 IV particularly adaptable for shooting throughout the day, in many different weather and lighting scenarios. The autofocus is simple and robust and will nail focus pretty much every time.
If you’re interested in travel videography, the Sony A7 IV delivers on that, too. The in-body image stabilisation (IBIS) comes in clutch here, too, for controlling camera shake during video recording. So, you can expect to get useable footage from handheld footage, an especially useful feature for on-the-go shooting.

Connor Redmond | Sony A7 IV | Sony FE 16-35mm f/2.8 GM | 16mm | 1/1600 sec | f/2.8 | ISO 100
The A7 IV opens up access to Sony’s impressive and ever-growing range of FE lenses, as well as third-party lens options from Sigma and Tamron. You can even use an adaptor and mount vintage lenses to create a truly unique look for your travel photography. As these vintage lenses will be manual focus only, you’ll get to make full use of Sony’s excellent focus-peaking feature.
Pair the Sony A7 IV with the affordable Tamron 28-75mm f/2.8 Di III VXD G2 FE. If you’re shooting landscapes, or need a versatile wide-angle zoom, try the Sony FE 16-35mm f/2.8 GM II. The Tamron 20-40mm f/2.8 Di III VXD E and Sigma 16-28mm f/2.8 DG DN E are both adaptable and lightweight street photography lenses.

Used Nikon Z50 & Nikon Z 24-120mm f/4 S
Best Beginner Mirrorless Camera for Travel Photography: Nikon Z50
The 2019 Nikon Z50 is an impressive mid-range mirrorless camera for travel photography. Today, it’s a fantastic entry-level camera for travel photography beginners.
Specs
20.9-megapixel APS-C sensor
11 fps continuous shooting with automatic exposure and autofocus
4K up to 30fps
2.36 million dot OLED viewfinder
450 grams
Upsides
Compact and weather-sealed body
Excellent image quality and dynamic range
Ergonomic grip feels good in hand (but perhaps too small for large hands)
Easy to use Wi-Fi image transfer
Menu system has help button with useful explanations of functions
Downsides
Battery life could be better
No in-body stabilisation
The Nikon Z50 is a great camera for beginner travel photographers. It’s compact, lightweight and durable. Weighing only 450 grams, the Z50 won't weigh you down while trekking around to different locations.
The Z50 has a tilting screen. Instead of an articulating screen, which sticks out to one side, a tilting screen is more discreet. Particularly useful for street travel photography, you can hold the Z50 at waist level and compose your shot without anyone noticing.
And, with its combination of physical controls and touchscreen operation, the Nikon Z50 offers the best of both worlds. Add the dedicated ‘help’ button, and you get an easy-to-use and intuitive camera for travel photography beginners.

Connor Redmond | Nikon Z50 | Voigtländer Nokton 23mm f/1.2 | f/7.1 | 1/320 sec | ISO 100
Connectivity and battery life are important for travel photography. The Z50 has built-in WiFi and Bluetooth to transfer photos to your mobile device, edit them, and share them on social media. This keeps storage free on the memory card for more pictures. On a full charge, the battery will only last for about 300 shots. So, you’ll need a few spare batteries.
The Nikon Z50 hits the sweet spot of features, portability and price for travel photography beginners. For lenses, take a look at the Nikon 12-28mm f/3.5-5.6 PZ VR, or the Nikon 18-140mm f/3.5-6.3 VR for a compact travel zoom.

Used Nikon Z7 II & Nikon Z 24-70mm f/2.8 S
Best Full-frame Mirrorless Camera for Travel Photography: Nikon Z7 II
The Nikon Z7 II is the full-frame high-resolution choice for travel photography adventures. This camera is ideal for landscapes, portraits and architecture while travelling.
Specs
45.7-megapixel back-illuminated full-frame sensor
5-axis in-body image stabilisation
64 min native ISO
Dual media card slots
Upgraded EN-EL15c battery
4K video at 60 fps
705 grams
Upsides
Great image quality and dynamic range
Good low-light autofocus performance
Minimum ISO of 64 useful in full sun
SD, XQD and CFexpress compatibility
Bright viewfinder
Downsides
Autofocus could be more intuitive
Despite its full-frame sensor, the Z7 II body is fairly compact and weighs only 705 grams with a memory card and battery. This makes it easy to carry around all day when exploring locations and capturing travel photography. The 5-axis in-body image stabilisation provides up to 5 stops of stabilisation for reducing blur from camera shake. This stabilisation allows you to shoot at slower shutter speeds and in low-light situations without needing a tripod. Continuous high-speed shooting up to 10fps lets you reliably capture fleeting moments and fast action when travelling. This is useful for everything from candid street photography to dynamic wildlife encounters.

Connor Redmond | Nikon Z7 II | Nikon Nikkor 24-120mm f/4 S | 48mm | 1/160 sec | f/10 | ISO 64
The Nikon Z7 II is an extremely capable camera with superb image quality and modern features. Nikon has all the zoom ranges covered with the professional 14-24mm f/2.8 S, the 24-70mm f/2.8 S and the 24-120mm f/4 S for a wide range in one lens.

Used Sony A7C & Sony FE 28-60mm f/4-5.6
Best Lightweight Mirrorless Camera for Travel Photography: Sony A7C
The Sony A7C is a full-frame camera hiding in a tiny body, yet it manages to pack many features.
Specs
24-megapixel back-illuminated full-frame sensor
Eye tracking autofocus system
4K video at up to 30 fps
Fully articulating 921k-dot touchscreen
2.36 million-dot electronic viewfinder
5-axis image stabilisation
509 grams
Upsides
Ultra-portable body
Impressive and easy-to-use autofocus system
Solid for both photos and video
Convenient USB charging
Excellent build quality
5-axis stabilisation
Downsides
Small viewfinder
Menu system a little complicated
No built-in flash
The Sony A7C is like a Sony A7 III, with the addition of improved autofocus. The key difference is that it lives in a much smaller and lighter body, and somehow Sony barely had to make any compromises.

James Popsys | Sony A7C | Sony FE 40mm f/2.5 G | f/2.5 | 1/400 sec | ISO 100
Paired with the small Sony 28-60mm f/4-5.6 or 40mm f/2.5 G, you get a truly compact, full-frame mirrorless setup for travel photography. Its small body comes with relatively few compromises, but one of these is the small viewfinder. The shooting experience is therefore only adequate, at best.

Used Fujifilm X-T5 & Fujifilm XF 16-55mm f/2.8 R LM WR
Best APS-C Mirrorless Camera for Travel Photography: Fujifilm X-T5
The Fujifilm X-T5 is Fujifilm’s second camera to come equipped with the astonishing X-Trans 5 sensor. Add in-body image stabilisation, and this camera is a compelling option for travel photographers.
Specs
40-megapixel back-illuminated APS-C sensor
X-Trans colour filter array
15fps continuous shooting with autofocus
In-body image stabilisation rated for 7 stops
Dual SD card slots
557 grams
Upsides
Simply the best JPEGs from any APS-C camera
Almost unbelievable RAW dynamic range
160-megapixel Pixel Shift images
1/180,000 max shutter speed with electronic shutter
Excellent build quality
Great battery life
Downsides
Significant rolling shutter in video
Pixel Shift mode requires a computer for post-processing
The Fujifilm X-T5 is compact and light, has great build quality, and is jam-packed with mirrorless features. The X-T5 is therefore a terrific choice for any travel photographer.
For us, the Fujifilm X-T5 has two stand-out features. First is Pixel Shift, which takes a series of RAW images and—by using IBIS—moves the sensor to get an ultra-high-resolution image. This is great for detail-oriented work. Second, its fantastic image quality. Considering it has an APS-C sensor, the tonality and detail are exceptional.
Paired with excellent JPEG performance, thanks to Fujifilm's colour science, it feels like the camera is producing magic. Helped in large part by the 19 film simulation modes. But being a professional camera, the RAW images are astonishing and allow for even more dynamic range and detail.
While the X-T5 is ideal for travel photographers, the video suffers from too much rolling shutter and, limited detail and quality. If you're more into videography, then you'll want to look at Fujifilm’s video powerhouse, the Fujifilm X-H2S.

Fujifilm X-T5 | Fujifilm XF 16-55mm f/2.8 R LM WR | 20mm | f/8.0 | 1/75 sec | ISO 125
Fujifilm makes some fantastic glass, we would recommend the excellent all-purpose 16-55mm f/2.8 R LM WR. If you don’t need that much reach, the 10-24mm f/4 R OIS is great. Or, if you want a really compact lens, then the 23mm f/2 R WR is the one.
To learn more about the camera's impressive capabilities, check out our Fujifilm X-T5 review.

Used Panasonic DC-G9 & G X Vario 12-35mm f/2.8 II ASPH Power O.I.S
Best Micro-four-thirds Camera for Travel Photography: Panasonic DC-G9
As Micro Four Thirds sensors are smaller than APS-C and full-frame sensors, the cameras are usually smaller and weigh less, too. Micro Four Thirds cameras are particularly well suited to travel photography due to their compact design, making them less obstructive and more discreet than bulkier cameras. And the feature-rich Panasonic DC-G9 is one of the best.
Specs
20.3-megapixel sensor with no AA filter
5-axis in-body image stabilisation
80-megapixel RAW and/or JPEG files using High-Resolution mode
20 fps burst with continuous autofocus using the electronic shutter
3.68 million-dot electronic viewfinder
4K/60 fps video
658 grams
Upsides
Very good image stabilisation
JPEG noise reduction and sharpness is great
Rugged, weather-sealed body with a large grip
Downsides
Resolution and detail might not be enough for some people
Autofocus joystick is not very responsive
The G9 is one of the most well-balanced Micro Four Thirds cameras. It can do just about everything very well, all in a small package. Although not a modern phase-detect autofocus system, the contrast detect system is reliable. We also get the ability to shoot at a ridiculous 20fps burst mode, using the electronic shutter. So, if you are travelling to shoot wildlife, then this feature will appeal to you.
The Panasonic G9 in-body image stabilisation is impressive. One benefit of the smaller sensor is that it is easier to stabilise. This helps to neutralise any unwanted camera shake, achieving sharp focus and making it less reliant on a tripod or monopod.

Amy Moore | Panasonic DC-G9
The G9’s magnesium-alloy body is rugged and sturdy, and its textured rubber-like grips make the camera feel good in hand. The weather-sealed body helps give you a little extra peace of mind.
The battery can capture an impressive 920 shots per charge, reducing the need to recharge frequently. Overall, the Panasonic G9 is designed for travel photographers who want a capable and portable camera. Its image quality, performance, durability and features make it a great choice.
We'd recommend starting with the Panasonic 12-35mm f/2.8 ASPH Power OIS. Or, if you need a wider range of focal lengths, get the Olympus 14-150mm f/4-5.6 II.

Used Fujifilm X-Pro 2 & Fujifilm XF 23mm f/1.4 R
Most Stylish Mirrorless Camera for Travel Photography: Fujifilm X-Pro 2
The Fujifilm X-Pro 2 is a professional quality retro-looking camera that gets our vote for the most stylish and street-friendly camera. Nothing else on the list offers a unique shooting experience like the X-Pro 2.
Specs
24-megapixel APS-C sensor
2.36 million-dot OLED/Optical hybrid viewfinder
15 film simulation modes
8 fps continuous shooting
273 autofocus points (169 phase-detect)
507 grams
Upsides
Stylish, discreet and retro design
Excellent JPEG output with a wide array of film simulations available
RAW performance also fantastic
Great customisation options
Autofocus feels responsive and snappy
Downsides
Average battery life
Lacklustre video
Released in 2016, the Fujifilm X-Pro 2 still shines as a fantastic and stylish travel camera. It delivers very good image quality, is surprisingly fast and feels great to hold and operate. Compared to DSLRs and medium to large mirrorless cameras, the X-Pro 2 looks more subtle and low-key. This allows you to shoot candid street photos discreetly during your travels.
The physical dials of the X-Pro 2, along with the aperture rings on XF lenses, help you quickly adjust your settings without taking your attention away from the shot.

Fujifilm X-Pro 2 | Fujifilm XF 33mm f/1.4 R LM WR | f/8.0 | 1/40 sec | ISO 800
The built-in film simulation modes produce interesting, creative images reminiscent of old film stocks like ACROS, Velvia and Astia. Straight out of the camera, without editing, these film simulation modes give a retro vibe to your travel shots. So, you can post them directly to your social media with minimal effort.
The unique hybrid viewfinder combines both optical and electronic views in one viewfinder. You can see the scene au naturel through the optical viewfinder, before switching to the electronic viewfinder to preview your final image.
Fujifilm offers a great selection of lenses with character and charm. Start with the Fujifilm 18-55mm f/2.8-4 R LM OIS for versatility, the 23mm f/2 R WR for a traditional street experience, or the 56mm f/1.2 R for portraiture.

Used Canon EOS RP & Canon RF 24-105mm f/4 L IS USM
Best Value Mirrorless Camera for Travel Photography: Canon EOS RP
For travel photography, Canon’s entry-level full-frame represents excellent value. The Canon EOS RP is small, surprisingly light and offers access to Canon’s strong library of lenses.
Specs
26.2-megapixel full-frame Dual Pixel sensor
4K/24 fps (with 1.7x crop)
Eye tracking autofocus
2.36 million dot electronic viewfinder
Fully articulating touchscreen
485 grams
Upsides
Very good JPEG quality
Surprisingly compact and light
Comfortable ergonomics and good grip
Classic Canon colours and contrast
Fast autofocus
Great value
Strong connectivity options
Downsides
Poor battery life
Slow burst and continuous shooting speed
Lack of in-body image stabilisation
There are many reasons to love the Canon EOS RP. The autofocus is impressively quick, the camera is small and light, and you can shoot 4K video too.
If you already have a set of EF lenses, you can use them with the Canon EF-EOS RMount Adapter. Or, sell or trade and upgrade to a fully-native mirrorless setup.
The RP carries on Canon’s gorgeous and natural feeling colours. Shooting JPEGs, the photographs are punchy, rendered quite beautifully and with great contrast.

Connor Redmond | Canon EOS RP | Canon RF 24-105mm f/4 L USM | 50mm | f/8.0 | 1/800 sec | ISO 200
For travel photographers on a budget, the RP is arguably the best value full-frame camera from Canon right now. For its price, compact size, overall performance and travel-friendly features, it’s a hard one to beat.
In terms of zoom lenses for travel, we’d recommend the Canon 24-105mm f/4 L IS, which is an incredibly sharp and versatile lens. The Canon 14-35mm f/4 L IS is another great option, too.

Used Fujifilm GFX 50R & Fujifilm GF 32-64mm f/4 R LM WR
Best Medium-format Mirrorless Camera for Travel Photography: Fujifilm GFX 50R
Travel photographers, if you want to shoot medium format without breaking your back—or the bank—the Fujifilm GFX 50R is a fantastic option. Designed to appear like a rangefinder-style camera, the 50R captures extremely detailed images.
Specs
51.4-megapixel medium format sensor
3.69M-dot OLED electronic viewfinder
Tilting touchscreen
Autofocus joystick
775 g
Upsides
Incredible image quality, detail and dynamic range
GFX lenses are impressive
Great value for traditionally expensive medium-format
Downsides
Not as many physical controls as the Fujifilm GFX 50S
Sluggish menu system
Relatively slow autofocus
Shooting medium format is now more accessible than ever, especially with used medium-format bodies. Certain models, like the GFX 50R, are now relatively lightweight. These cameras, which were traditionally used only in the studio, are now light enough to carry around outdoors, all day. While these are still slower and generally more expensive than full-frame cameras, medium-format mirrorless cameras offer the ultimate image quality and detail.
The Fujifilm GFX 50S, Fujifilm GFX 50R or Hasselblad X1D-50c are all excellent mirrorless options for medium-format travel photography. These cameras all lend themselves to travel by keeping the weight down, although do consider that the Fujifilm G fit lenses and the Hasselblad X fit lenses can be on the bulky side. So, you might want to just bring one lens.
Medium format probably isn’t the right choice for first-time travel photographers, but these cameras are exciting and can produce phenomenal results.

Connor Redmond | Fujifilm GFX 50R | GF 80mm f/1.7 R WR | f/4 | 1/4000 sec | ISO 250
For double the megapixels, you could go even further into medium-format with the Fujifilm GFX 100 II or Hasselblad X2D 100c for truly deluxe travel photography.
Conclusion
Mirrorless cameras have revolutionised travel photography. Their compact size and low weight make them easy to carry around all day. Mirrorless cameras offer features like image stabilisation and intelligent autofocus, which allow you to capture sharp, in-focus shots, even when handholding the camera.
The Sony A7 IV is the best overall mirrorless camera for travel photography. The A7 IV offers pro-level performance across the board. But, when choosing the right camera, you’ll need to consider a range of factors based on your budget, creative requirements and personal preferences. Hopefully, this article has provided you with all the information to help you make that decision.
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