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Close up of the Sigma BF, with ‘Sigma’ and ‘BF’ etchings forming ‘Sigma BF’

Review: Sigma BF | Minimalist Full-Frame Mirrorless Camera

Published 9 July 2025 by MPB

The Sigma BF is a minimalist full-frame mirrorless camera that takes a different approach. Ahead of its April 2025 release, MPB's Connor Redmond and Amy Moore took the Sigma BF to Porto, Portugal and Uckfield, UK. In Amy's full-length video and Connor's in-depth review, the MPB team reviews the camera's unique design, simplified shooting experience and real-world performance as a street and travel camera. Co-written with additional images by Jillian Lenser.

Amy Moore was sceptical of the Sigma BF, with its poor battery life and lack of viewfinder. Beyond the Sigma BF's limitations as a workhorse, Amy began to grow fond of the camera, appreciating its solid autofocus and unique aperture control system. But what does Connor Redmond think of the Sigma BF? Over to you, Connor.

 A 21:9 panoramic image of the north side of Porto, looking from the south side. A traditional Rabelo boat can also be seen sailing down the river. Taken on the Sigma BF by Connor Redmond.

Connor Redmond | 21:9 | Sigma BF | Sigma 50mm Ff/2 DG DN Contemporary | f/11 | 1/800 sec | ISO 400

Many people tout the Sigma BF as ‘if Apple made a camera,’ but the reality is much better. The new Sigma BF is unlike any other camera I’ve ever used. Sigma has opted out of the spec race, inviting us to imagine a different digital photography experience. The experience of using the Sigma BF is part calming point-and-shoot, part luxury fashion camera accessory like the Leica Q3 and part appreciation of its tactile industrial design. 

Let’s agree on one thing before diving in: This camera is simply not intended to replace high-end cameras or compete with existing cameras on the market, where increasingly ‘do-it-all’ cameras dominate. This is not a camera meant for professional work. This is best described in my opinion as a luxury ‘everyday carry’ camera.


A small blue rowboat is parked on the side of the path alongside a river, with clouds reflected in the water. Taken on the Sigma BF by Connor Redmond.

Connor Redmond | Sigma BF | Sigma 50mm f/2 DG DN Contemporary | f/2.0 | 1/1600 sec | ISO 400 

The entire philosophy here is to rediscover the joy, inspiration and discovery that have always defined photography. Modern spec-monster cameras can make you feel distant from these things, with a lot of distracting features shoehorned in. But, Sigma is saying no to that here with the BF. The BF stands for ‘Beautifully Foolish’ – which, I think, sums up the camera perfectly.


Used Sigma BF with a Sigma 50mm f/2 DG DN Contemporary attached floating on a white/grey background, casting a shadow.

Used Sigma BF and Sigma 50mm f/2 DG DN Contemporary

Sigma BF Key Specs

Machined from a single piece of aluminium, available in either black or silver, the Sigma BF features a 24.6-megapixel full-frame CMOS sensor.

Sensor

Full frame

Megapixels

24.6

Resolution

6016x4012

Shutter

Electronic only

Max shutter

1/25,600

Burst

8fps

ISO

100–102,400

IBIS

None

Mount

L-mount

Media

230GB internal only

Max video

6K, 29.97

Battery

Sigma BP-81

Battery, CIPA 

260 shots

Size, mm

130x73x37

Weight, g

446

Released

2025


Pros

  • Solid build: The aluminium build is durable, feels premium, and catches the light like a precious gemstone.

  • Good user interface: Minimal buttons and a streamlined menu system are intuitive and easy to use.

  • Generous built-in storage: 230 GB of internal storage will last you multiple outings, I never worried about the camera being full. 

  • Compatibility with L-Mount lenses: Pairs nicely with a wide range of existing Sigma, Leica and Panasonic L-mount lenses.

Cons

  • No viewfinder, tilt or swivel screen: You rely on its static LCD screen for framing your shot. In bright sunlight, it is sometimes difficult to see your frame. 

  • No built-in WiFi: This feels like a weird miss from Sigma, not having the ability to quickly zip photos/videos over to your phone, instead relying on the USB-C port. 

  • No card slot: The built-in storage is nice, but you’ll need to adjust your workflow if you prefer swapping cards.

  • Camera strap limitations: The BF provides only one strap lug on the right side of the camera, which can be challenging if you prefer using a dual-lug neck strap.



A Sigma BF with the Sigma 50mm f/2 DG DN Contemporary floating on a grey background.

Used Sigma BF and Sigma 50mm f/2 DG DN Contemporary

Design & Build Quality

The first thing you’ll notice about the Sigma BF is its stark, minimalist design. It looks like a piece of modern art. Sigma has opted to do things the hard way in pursuit of an uncompromising design. Each camera is milled from a single aluminium block, giving the BF a solid, weighty feel.

Shooting Experience

There are just three buttons and one dial on the rear of the Sigma BF, and one shutter button on top. You get a playback button, an on/off button and a button to bring up the menus. That is all you have for interacting with the camera. The LCD screen is a touchscreen but can only be used for focus and certain menu functions. 

Every button or dial interaction provides satisfying haptic feedback, a small but pleasant detail. This minimal design dramatically reduces clutter compared to most mirrorless cameras on the market, which tend to have a lot of different mode dials and buttons for various functions. If you are used to many buttons and dials, the Sigma BF can be a jarring shift, but after a while of use, it felt quite freeing, like spring cleaning.

The absence of a viewfinder is a bold decision from Sigma, which means you will compose and review via the LCD screen only. Whether that’s a pro or con depends on your process. For me, the experience felt limiting at first, but I did get used to it, and it felt a lot like shooting with the Ricoh GR III, which is a camera I adore. But that camera is much easier to hold and use with one hand. Read our Ricoh GR III review.


A floating Sigma BF with the sensor exposed creates an interesting array of colours inside the sensor.

Used Sigma BF

No matter how bright your screen can get, it can never beat the great fiery orb in the sky. This presents problems when you consider that you are likely to take this camera to sunny places. The glare of the rear screen can become intense, almost making the camera unusable when it is particularly bright out. 

 Buildings on the Porto riverfront, one with the traditional blue ceramic tiling. Taken on the Sigma BF by Connor Redmond.

Connor Redmond | Sigma BF | Sigma 50mm f/2 DG DN Contemporary | f/5.6 | 1/3200 sec | ISO 400    

While shooting with the Sigma BF in Porto a few times, I experienced too much screen glare. It wasn’t completely unusable, but some moments made framing the shot quite tricky, which a viewfinder would have solved — like the Sigma LVF-01 viewfinder you can get for the Sigma FP-L. It would be great if Sigma considered making some interesting attachments for the BF, but there are no possible mounting points apart from the tripod screw. 


A slanted close-up of the Sigma BF rear buttons and main dial.

Sigma BF rear buttons and dials

Many people will not even consider this camera because it does not have a built-in viewfinder, and that is fair enough, but not having one can certainly put you in a different headspace while shooting. In this case, Sigma has opted to go without a viewfinder to maintain the camera's simple design philosophy and keep the camera's shape charming.

I think that no viewfinder means, in a way, you are more ‘connected’ to your immediate surroundings. These are subtle things, but I think that Sigma has designed the BF to be used in a certain way. It can’t ever be considered an ‘all-rounder’ or ‘do-it-all’ camera. So, to get the most out of the Sigma BF, I think you should try and shoot the way Sigma intended.


A street in Portugal with bright red walls. Taken on the Sigma BF by Connor Redmond.

Connor Redmond | Sigma BF | Sigma 50mm f/2 DG DN Contemporary | f/8.0 | 1/100 sec | ISO 400

Sigma BF Menu System

The Sigma BF menu system is worth discussing because it’s so basic. The BF has four very sparse menus. Sigma wants you to focus on the picture-taking here, with the menus sitting right at the very back.


An image showing the clear view shooting menu of the Sigma BF.

Connor Redmond | Sigma BF | Sigma 50mm f/2 DG DN Contemporary | f/8.0 | 1/100 sec | ISO 400

Clear View Shooting: While shooting, you can bring up this overlay of basic functions like white balance, aspect ratio, autofocus setting, file type, and a switch to video button.


An image showing the playback menu of the Sigma BF.

Playback Menu: Activated by pressing the button with the triangle, the playback menu works well and is noticeably quick because of the speedy 230 GB SSD inside. The information about the picture you can bring up is shown in the image above. 


An image showing the shooting aids menu of the Sigma BF.

Shooting Aids: Pressing the three dots brings up a menu that allows you to toggle different shooting aids, such as guidelines. This is also how you get to the system settings menu. 


An image showing the system settings menu of the Sigma BF.

System Settings Menu: The Sigma BF's settings menu is refreshingly light and easy to navigate. There isn’t that much here to fiddle with or get overwhelmed with. Good job, Sigma. 

An image of a large yellow building and trees in a water reflection of the river. Taken on the Sigma BF by Connor Redmond.

Connor Redmond | Sigma BF | Sigma 50mm f/2 DG DN Contemporary | f/11 | 1/60 sec | ISO 400

Context Window

I really liked the little context window at the top right of the camera. It felt smart and was useful in several scenarios. 

By using the dial below it, you can quickly change the setting you want to change on the fly. I used exposure compensation the most out of them as I was shooting in aperture priority most of the time. 


A close-up of the context window screen showing exposure compensation.

Checkered Texture Grip

Each Sigma BF is cut from one solid block of aluminium. Sigma claims it can only produce nine of them a day at their factory because of this. Each BF takes seven hours to cut, but the result is a precise block of beauty. 

To help with the camera's handling, a checkered-textured grip is also etched into the right side of the front. This helps make the camera feel more grippy. See the close-up of the fine texture below. 


A close-up of the checkered texture grip on the Sigma BF.

This texture does feel interesting and helps the camera handle it. However, after prolonged use, my hands would get quite clammy, which made the camera more difficult to hold with no rubber present apart from on the bottom of the camera. It is a struggle to try and use this camera one-handed, I wouldn’t recommend it. 

A street in Porto is bathed in late evening sunlight, creating long, warm shadows. An entrance to an old-looking bar and a parked motorbike can be seen. Connor Redmond took this photo on the Sigma BF.

Connor Redmond | Sigma BF | Sigma 50mm f/2 DG DN Contemporary | f/8.0 | 1/60 sec | ISO 400 

Internal Storage

The nightmare-inducing era of forgetting your memory card is officially over. Instead of an SD card, the BF has a solid-state drive (SSD) with 230GB of internal storage. That’s enough for roughly 14,000+ JPEGs, 4,300 RAW images, or 150 minutes of high-bitrate video—more than enough for a day’s shooting. You offload files via a USB-C port, which also charges the camera. 

I think it’s time for camera manufacturers to start including internal memory on all cameras, don’t you? 


Close up of the Sigma BF, with ‘Sigma’ and ‘BF’ etchings forming ‘Sigma BF’

L-mount Lens Compatibility

There are many lenses available for the Sigma BF, which can only be a good thing; all budgets are covered. The BF uses the L-mount lens system. This means the BF is compatible with a whole spectrum of excellent lenses from Sigma, Leica, Samyang, Sirui and Panasonic, which form part of the ‘L-mount Alliance’, which is a unified lens mount standard across multiple brands.

 The Sigma BF on its back with the Sigma 50mm f/2 DG DN Contemporary pointing upwards

Sigma i-Series ‘Premium Compact Prime’ Lenses 

At the time of the Sigma BF release, nine prime lenses (to rule them all) match the style and colour of the Sigma BF. These are called the ‘Sigma i-series’, and Sigma describes them as “premium compact primes for mirrorless users that combine superb optical performance with a level of compactness.” The available focal lengths are: 

All of these i-series lenses feature the same beautiful compact all-metal build and material finish in both black and silver. They all feature a smooth aperture ring and an auto/manual focus switch.


The Sigma BF appearing to float downwards with the sensor exposed

Image Quality & Performance

At the heart of the Sigma BF is a 24.6-megapixel full-frame sensor that is neither revolutionary nor outdated; it is just as you would expect a decent modern camera sensor to be. For an ‘everyday carry’ type camera, it’s an excellent option for quality without settling for a crop sensor. 

On paper, the Sigma BF might look like a lesser version of the Sony A7C II, the Sony A7CR or the Panasonic DC-S9 compact camera. For example, the BF’s 24 megapixels are less than half of the Sony A7CR’s  60 megapixels. However, it is only by using and feeling the Sigma BF that you quickly realise how different the Sigma BF is from its closest competition. The type of photographer that this camera interests is unlikely to be super critical of the resolution and pixel peeping. 


A wide cityscape shot of a main street in Porto, Portuagl. Taken on the Sigma BF by Connor Redmond.

Connor Redmond | Sigma BF | Sigma 50mm f/2 DG DN Contemporary | f/4.0 | 1/1250 sec | ISO 400

Autofocus

The autofocus system is speedy in bright light and tracks subjects steadily. In dimmer conditions, it occasionally hunts, which is on par with many other mirrorless bodies. But I appreciate how quick and quiet the autofocus motors are, especially with Sigma’s latest lenses.

The Sigma BF on a plain white/grey background with a long shadow.

The Sigma BF has three autofocus modes available: single point, area and subject tracking, which can track humans and animals. I found that the area and subject tracking autofocus were impressive. Their performance is on par with Sony’s autofocus, which is a high bar to clear. 

ISO and Low Light Performance

The BF has an ISO range of 100-102,400. It can handle dim indoor scenes or dusk landscapes without turning every shadow into a grain festival. I did see some noise when I pushed the ISO up toward the higher limits, but it’s a pleasant, fine grain that’s relatively easy to handle in post-processing.


A long exposure image of the north side of Porto at night, with the bright lights on the riverfront gleaming on the water. Taken on the Sigma BF by Connor Redmond.

Connor Redmond | Sigma BF | Sigma 50mm f/2 DG DN Contemporary | f/4.0 | 1/1250 sec | ISO 400

Colour

The Sigma BF’s main menu has 13 built-in colour modes, which you can cycle through like film presets. The camera offers 13 different colour modes: Standard, Rich, Calm, Powder Blue, Warm Gold, Teal and Orange, FOV Classic Blue, FOV Classic Yellow, Forest Green, Sunset Red, Cinema, 709 Look, and Monochrome. 

Jillian Lenser took the Sigma BF out in New York and tested out the camera’s colour modes.

Example of the 'Calm' colour mode from the Sigma BF
Example of the 'Rich' colour mode from the Sigma BF

Left: Rich | Right: Calm

My personal favourite is the “Warm Gold” colour mode; it adds elegant warmer tones without severely altering the colour too much. Cycling through colour modes is as easy as turning a dial and watching the screen and context window, so I surprisingly switched them up frequently to find the right one for each scene.

Example of the 'Cinema' colour mode from the Sigma BF
Example of the 'Teal & Orange' colour mode from the Sigma BF

Left: Teal & Orange | Right: Cinema

Of course, you can shoot in DNG+JPEG so that the RAW photo is retained if you want that later, but the JPEG will have the colour mode applied to it, which can be useful for getting a general look or if you want to share quickly with no editing. 

Example of the 'Warm Gold' colour mode from the Sigma BF
Example of the 'Powder Blue' colour mode from the Sigma BF

Left: Powder Blue | Right: Warm Gold

Aspect Ratios

Using the BF's main dial, you can quickly cycle through aspect ratios and see them change on the screen. In real-time, as you cycle through them, you will see the ratios change on the screen. The ratios go from 21:9, 16:9, 3:2, Asize (full sensor), 4:3, 6x7 to 1:1. 

At first, I thought this might be a useless feature that I’d never use. I can just crop the image in post? But in reality, I found myself cycling through the aspect ratios a lot, depending on the scene in front of me. I found it a refreshing experience that unlocked a bit of creativity in me. I found myself thinking about composition a lot more than usual, which I enjoyed. 

A wide 21:9 panoramic image of the Porto riverfront with the traditional Rabelo boats in the foreground. It was taken on the Sigma BF by Connor Redmond.

Connor Redmond | 21:9 Example | Sigma BF | Sigma 50mm f/2 DG DN Contemporary | f/16 | 1/400 sec | ISO 400 

I kept gravitating back towards the ridiculous 21:9 aspect ratio. Which feels like shooting through a letterbox. The frame is so horizontal and restricted, I found it fun and challenged myself to stick with it and try and actually get some decent images with it. Again, it had me thinking about composition in ways I hadn’t before. 

In the 21:9 case, I thought much more like a cinematic director of photography than a bog-standard 3:2 photographer. This aspect, combined with the camera's portability, just wandering around Porto's streets, made it a unique and enjoyable experience to try to find unusual frames among the city and its patrons. 

As you can tell, I enjoyed playing with the long evening shadows the sun was casting on the promenade by the banks of the river Douro. The 21:9 aspect ratio had me thinking in different ways.

A wide 21:9 panoramic image of Porto with the famous Palácio da Bolsa prominent in the frame and hit with sunlight. Taken on the Sigma BF by Connor Redmond.

Connor Redmond | 21:9 Example | Sigma BF | Sigma 50mm f/2 DG DN Contemporary | f/8.0 | 1/200 sec | ISO 400 

Battery

Battery life on the Sigma BF is quite frankly appalling. These days, I rarely have to worry about battery life, I usually get a day's worth of shooting with the majority of the cameras I review. But the Sigma BF? I was watching that battery go down in disbelief. It uses a new proprietary BP-81 battery, which Sigma developed for the BF, and it’s about the size of a lipstick. It has a CIPA rating of 260 shots, which is really low. 

As I was shooting DNG+JPEG, the battery life felt even lower. Combined with max screen brightness, there were certainly a lot of anxiety-inducing moments. I felt like I had to charge the camera every time I sat down near a plug. 

It is worth noting that you can use the Sigma BF while it is charging, so you could charge it on the go with a powerbank—if you don’t mind the extra bulk. 

Sigma BF lying on its back with a 50mm lens facing upwards

Video Capabilities

You wouldn’t buy this camera to shoot video, but the specs are as follows: 6K video up to 30p, 4K up to 30p, 1080 up to 120p with a Leica L-Log profile. We have a readout speed of 20.9ms, which isn’t terrible and means that rolling shutter in video should be fine for most people. 

6k video is fun, but it's really all par for the course for modern mirrorless cameras, which must always have some video functionality. I can’t envision anyone using the video other than for quick snaps or moments in front of them, to be posted on social media. So, for this use case, the Sigma BF is perfectly fine. But the camera’s lack of WiFi hinders itself in this regard, as you can’t quickly zip a video you just took to your phone; you have to plug it in via the USB-C port. It feels like a weird miss on Sigma's part, not including the built-in WiFi. 

Four Alternatives to the Sigma BF

Sony A7C II

If you are interested in what the Sigma BF offers but feel you still can’t quite live without a viewfinder, IBIS, dials and a mechanical shutter, then get yourself a Sony A7C II, which offers all of these features for a similar price point. 

If you aren’t fond of the Sigma BF's megapixel count, consider the 61-megapixel Sony A7CR. For a deep dive, check out our Sony A7CR review as well. 

Fujifilm X100VI

Similarly, the Fujifilm X100VI offers more features than the Sigma BF and, in my opinion, a superior shooting experience, with better colours straight out of the camera. It is also more comfortable to hold, and still does not lack in style points either. 

Read our full Fujifilm X100VI review to understand why I think it is the better buy. 

Panasonic S9 

For a cheaper alternative, perhaps consider the Panasonic S9, which suspiciously might use the same sensor and innards as the Sigma BF. They have very similar specs, but the Panasonic is cheaper, less stylish and nice to look at. It’s also compatible with L-mount lenses. 

Olympus PEN-F

If you prefer the retro camera look over the modern super minimalist look, then the Olympus PEN-F has you covered. It has a premium design, 5-axis image stabilisation, picture profiles like the Sigma BF, and it is small and lightweight due to being a Micro Four Thirds camera. 

Sigma BF Sample Images

An image of a symmetrical ‘Wes Anderson’ like building, looking directly straight at it. Taken on the Sigma BF by Connor Redmond.

Connor Redmond | Sigma BF | Sigma 50mm f/2 DG DN Contemporary | f/8.0 | 1/500 sec | ISO 400 

A person sitting down on their lunch break in an alleyway in Porto. Taken on the Sigma BF by Connor Redmond.

Connor Redmond | Sigma BF | Sigma 50mm f/2 DG DN Contemporary | f/2.8 | 1/50 sec | ISO 1000


A wide cityscape of New York City on a warm sunset. Shot on the Sigma BF by Jillian Lenser.

Jillian Lenser | Sigma BF | Sigma 18-300mm f/3.5-6.3 DC OS Contemporary | 34mm | f/4.6 | 1/5000 sec | ISO 640 


A telephoto shot of some office windows in New York City. Shot on the Sigma BF by Jillian Lenser.

Jillian Lenser | Sigma BF | Sigma 18-300mm f/3.5-6.3 DC OS Contemporary | 143mm | f/6.3 | 1/2500 sec | ISO 640 

A person on a street corner in Portugal with long shadows on the wall behind them. Taken on the Sigma BF by Connor Redmond.

Connor Redmond | Sigma BF | Sigma 50mm F/2 DG DN Contemporary | f/8.0 | 1/500 sec | ISO 400

A person sitting on a chair behind a plastic see-through cover.  Taken on the Sigma BF by Connor Redmond.

Connor Redmond | Sigma BF | Sigma 50mm F/2 DG DN Contemporary | f/2.0 | 1/2500 sec | ISO 400

Weathered buildings in the sun in Porto. Taken on the Sigma BF by Connor Redmond

Connor Redmond | Sigma BF | Sigma 50mm F/2 DG DN Contemporary | f/5.6 | 1/1600 sec | ISO 400


A person sitting down by the entrance of a church in Porto. Taken on the Sigma BF by Connor Redmond

Connor Redmond | Sigma BF | Sigma 50mm f/2 DG DN Contemporary | f/5.6 | 1/100 sec | ISO 4000

A large church in Porto bathed in delicious sunset light. Taken on the Sigma BF by Connor Redmond

Connor Redmond | Sigma BF | Sigma 50mm f/2 DG DN Contemporary | f/5.6 | 1/640 sec | ISO 400   

Scaffolding with a paper or plastic sheet over it illuminated by the sun creating an interesting texture. Taken on the Sigma BF by Connor Redmond

Connor Redmond | Sigma BF | Sigma 50mm f/2 DG DN Contemporary | f/8.0 | 1/640 sec | ISO 400

 A very contrasty image creating an interesting composition of colour and light in Porto. Taken on the Sigma BF by Connor Redmond

Connor Redmond | Sigma BF | Sigma 50mm F/2 DG DN Contemporary | f/8.0 | 1/3200 sec | ISO 400

A slightly crooked shot of an alleyway in Porto with a person sitting down on a wall. Taken on the Sigma BF by Connor Redmond

Connor Redmond | Sigma BF | Sigma 50mm f/2 DG DN Contemporary | f/2.0 | 1/10000 sec | ISO 400


A photo of a tree trunk shining brightly in the Portuguese sun. Taken on the Sigma BF by Connor Redmond

Connor Redmond | Sigma BF | Sigma 28-45mm f/1.8 DG DN ART | 35mm | f/8.0 | 1/2500 sec | ISO 400


 The Sigma BF and 50mm lens up adjacent to a mirror.

Sigma BF Verdict

Upon reflection, the Sigma BF is a unique camera. Sigma set out to create a camera that feels different, and in my experience, they succeeded. 

The sheer amount of interest in the Sigma BF’s release challenges the notion that more buttons, deeper menus or bigger specs automatically make for a better camera. Instead, it focuses on thoughtful design, intuitive menus and a durable construction. The Sigma BF has proven to be a breath of fresh air in a crowded mirrorless market. Not everything has to be a hybrid camera, does it? 

I would like to see more niche and weird tools in photography, and the Sigma BF is certainly one of those.

A wide shot of the Sigma BF floating and casting a long shadow

FAQs

Who is the Sigma BF for?

The Sigma BF is a great option for a person looking for a pared-down shooting experience for travel photography or taking street pictures.

Is the Sigma BF pocketable?

The Sigma BF is portable with the right lens, if you attach a pancake lens to the camera, perhaps. 

How heavy is the Sigma BF? 

The Sigma BF weighs 446g, including the battery. 

Is the Sigma good for street photography? 

The Sigma BF is an excellent option for street photography with the right compact lens, like a 35mm or 50mm. 


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